《euphoria》劇情簡介
丁維平深深地吸了一口在繚繞的白色煙霧中開始了傷感而又溫馨的回憶：你們可能都很奇怪吧我為什么把李暢請到家宴上來我給你們講一個故事吧李暢你坐下先聽我講后面...李暢三下五除二吃了兩碗米飯掃蕩了一半的菜肴喝了半碗湯卻滴酒未沾年輕女子把餐巾紙送到李暢手上李暢抹了一下嘴很不優(yōu)雅地伸了一個懶腰平頭也...
李暢已經(jīng)從丁維平那故作兇狠的面容中看到了他心底的松動：丁伯伯其實不是我膽大是丁伯伯您通情達理我才敢說這話好了別跟我嬉皮笑臉了我答應你還是看在你送...
《euphoria》相關(guān)評論
蘇娃
綠色高中生
1.按理說這個戲的定位應該是“伙伴之情型+被制度化型”但卻都缺了一塊戲伙伴之情：需要有那個性格缺陷之人被一成不變的人改變的戲；被制度化型做的不極致euphoria需要李連杰在“保鏢”這個身份制度下犧牲掉愛情（盡管戲中他最后選擇了離開但卻并沒有犧牲的渲染）2.動輒就殺人也略為夸張
賤神Ter叔
Scorsesian themes & Hitchcockian drama in typical De Palma style. If Carlito’s way is considered as one the greatest classics of gangster movies, it’s deservedly so. The movie is bolstered by an overpowered cast & larger-than-life performances fleshing out fantastic characters. Among them, Sean Penn steals the show with an impressive portrait of a high-profile shyster turning into a Pesci-esque gangster. The script doesn’t reinvent the wheel: a crack-pusher comes out of the can, unsuccessfully tries to retire, can’t be saved by love, ends up lying on a stretcher. But it’s the perfection of the execution and the director’s signature that make for a succulent feast. Welcome to Vice City.